PHOTO GALLERY: The history and diversity of African American religious rituals

Photographer John H. White, the son of an African Methodist Episcopal minister and child of the Black church tradition, captures with great reverence, precision, and devotion, a highly intimate moment in the spiritual life of the Church of God of Harvey, Illinois, during a baptismal service on Lake Michigan. In the early twentieth century, Lake Michigan’s beaches, particularly those near major urban areas, remained racially segregated. In the wake of the Great Migration, many African Americans from the South relocated to cities along the coast of the Lake, including Chicago, Milwaukee, Gary, and Muskegon. Having abandoned the waterways and creeks of the rural South, these migrants frequently utilized the shores of Lake Michigan to conduct public baptisms. (Collection of the Smithsonian National Museum of African American History and Culture, Gift of John H. White/Pulitzer Prize- Winning Photojournalist, © John H. White)

A new photo book from the National Museum of African American History and Culture explores Black history through its range of spiritual traditions.

By Adelle M. Banks

(RNS) — A newly published collection of photos highlights the range of religious practices of African Americans — inside and outside traditional sanctuaries.

“Movements, Motions, Moments: Photographs of Religion and Spirituality from the National Museum of African American History and Culture” is a compact volume spanning the 19th through the 21st centuries and featuring grassroots people expressing their spirituality.

“Movement, Motions, Moments: Photographs of Religion and Spirituality from the National Museum of African American History and Culture” Courtesy image

The book, part of the Double Exposure series of the Smithsonian Museum that opened in 2016, was released Tuesday, Jan. 10.

The captions and other writings that surround its more than 65 photos explain how the rituals and remembrances captured in the book reflect Black history through its diversity of spiritual traditions, from salat, the five-times-a-day Muslim prayer, to the observance of Rosh Hashana, the Jewish new year.

For example, the 1981 image of a baptism amid the rolling waves of Lake Michigan echoes the practices in creeks and waterways that were used in the Deep South before many African Americans headed north during the Great Migration earlier in that century.

A 1919 photo of women and men outside Vernon African Methodist Episcopal Church was taken two years before the church was burned in the Tulsa racial massacre — and eventually rebuilt atop the surviving basement.

Pictured here, on Palm Sunday 1898, the Sisters of the Holy Family disembark from a steamer boat in Stann Creek, Belize, to provide educational support to the children of the Garifuna community. Pictured on the far left is Mother Superior Mary Austin Jones, leader of the Sisters from 1891 until her death in 1909. (Collection of the Smithsonian National Museum of African American History and Culture, Gift of the Sisters of the Holy Family, New Orleans)

The book features well-known figures such as Dallas’ T.D. Jakes and New York’s Father Divine as well as trailblazing female religious leaders. Myokei Caine-Barrett is shown preparing for ordination as bishop of the Nichiren Shu Order of North America in 2014, when she also became the first person of African American and Japanese descent to head that Japanese Buddhist organization.

In contrast to the long and persistent history of lynching photos — that were sometimes distributed as postcards — the volume includes the integration of dignity at the time of death. One lesser-known photo depicts an honor guard of women beside the casket of Harriet Tubman in 1913 and another captures mourners in line in 1965 to view Malcolm X’s coffin, where his body was encased in a traditional white linen shroud.

In the 1970s, the Cook County Jail in Chicago, Illinois, became a central spot for faith practitioners such as Mother Consuella York (likely pictured here), who became known as the “Jail Preacher” for her prison ministry. (Collection of the Smithsonian National Museum of African American History and Culture, Gift of John H. White/Pulitzer Prize- Winning Photojournalist, © John H. White)

The book also demonstrates — in facing pages — the changing look of religion-related protests. A photo of young activist John Lewis kneeling in prayer with other civil rights workers in 1962, a year after he was ordained a Baptist minister, is featured across the fold from public theologian Rahiel Tesfamariam pictured in St. Louis, a year after Michael Brown’s death, wearing a T-shirt that reads “This Ain’t Yo Mama’s Civil Rights Movement” in 2015.

Youth usher Vivica Brooks passes out fans to congregants during an ordination service at Righteous Church of God in Washington, D.C., in 2003. (Collection of the Smithsonian National Museum of African American History and Culture, © Jason Miccolo Johnson)

The book’s photos are both historic and up to date, featuring then-Archbishop (and now Cardinal) Wilton D. Gregory wearing a “Love Thy Neighbor” mask at the 2020 “Red Mass” in the first year of the COVID-19 pandemic and the Rev. Courtney Clayton Jenkins preaching a virtual sermon to almost empty chairs — save the images of her congregants taped to the seats —at Cleveland’s South Euclid United Church of Christ that same year.

“It is our hope that after viewing these images, Black religious expressions long obscured will be more accessible, and no longer rendered invisible, nameless, or inaudible,” wrote Eric Lewis Williams, the museum’s curator of religion, in an essay that accompanies the photos.

First Published Jan. 10, 2023

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